Decades ago in the seventies, what people consider the roots of animation movies were first sown. A television cartoon series began on Japanese television that was supposed to take the industry by storm. It did might have lived up to expectations, but curiously produced a small band of loyal followers. In the end, the foundations of Japanese anime had been set. Today, the following and passion is evident when reading popular reviews like the Code Geass anime review.
The story is set in 2010, August, where the holy Britannia Empire, and evil ruling plans to rule the world. They invade every country, and Japan becomes one of their victims. In that invasion, they use mobile robot vehicles to take over the country, stripping it of its sovereignty, and the people of their dignity. The country remains an empty shell, and is named area 11.
Meanwhile, a sly prince, who was excommunicated from the Britannia royal family looks to bring down the empire. In his exploits, he meets a mysterious woman, and the chance meeting results in him gaining control of the Geass. With the Geass, he has the ability to have anyone under their control.
With this device, his dream of bringing the empire down seems realistic. On the surface, the story is similar to many animation series before it. One particular close comparison can be made to Valvrave the liberator. The main character rallies the people to a revolution. The revolution is ignited by a special power, and there is an element of the popular speed chess moves used to defeat the enemy.
Apart from that, Code Geass charts a completely different path. The fabulousness of the characters is one of the things that make it different. Through all the war and seriousness, the characters still find a way to bring entertainment into the plot. Both the emperor and the main character find ways of delivering humor even when they are supposed to be very serious.
One unique characteristic, though, is the hero character in the series. They are not the normal savior with good intentions. Rather, they are a refreshing difference from the norm. The prince seems to be comfortable with using anyone he wants, without remorse even when he leaves them injured or dead.
Since the seventies, animation movies have grown and developed. During the past, they were reserved for the geek minority, but geeks are slowly being accepted. Look at the popular geeky storyline movies and series, like the billionaire geek Tony Stark in the Ironman Franchise, or the three academics in the Big Band theory.
But animation movies are much more than that. They provide a valuable insight into Japanese culture and are often so meticulously designed to be attractive to the audience. Adding to the beautiful art are the storylines, which combine a playful genre in cartoons, with the struggles of both teenage and adult themes. Code geass highlights all these aspects perfectly. With animation movies, they try to explore complex themes and then present them in a fun and simple manner.
The story is set in 2010, August, where the holy Britannia Empire, and evil ruling plans to rule the world. They invade every country, and Japan becomes one of their victims. In that invasion, they use mobile robot vehicles to take over the country, stripping it of its sovereignty, and the people of their dignity. The country remains an empty shell, and is named area 11.
Meanwhile, a sly prince, who was excommunicated from the Britannia royal family looks to bring down the empire. In his exploits, he meets a mysterious woman, and the chance meeting results in him gaining control of the Geass. With the Geass, he has the ability to have anyone under their control.
With this device, his dream of bringing the empire down seems realistic. On the surface, the story is similar to many animation series before it. One particular close comparison can be made to Valvrave the liberator. The main character rallies the people to a revolution. The revolution is ignited by a special power, and there is an element of the popular speed chess moves used to defeat the enemy.
Apart from that, Code Geass charts a completely different path. The fabulousness of the characters is one of the things that make it different. Through all the war and seriousness, the characters still find a way to bring entertainment into the plot. Both the emperor and the main character find ways of delivering humor even when they are supposed to be very serious.
One unique characteristic, though, is the hero character in the series. They are not the normal savior with good intentions. Rather, they are a refreshing difference from the norm. The prince seems to be comfortable with using anyone he wants, without remorse even when he leaves them injured or dead.
Since the seventies, animation movies have grown and developed. During the past, they were reserved for the geek minority, but geeks are slowly being accepted. Look at the popular geeky storyline movies and series, like the billionaire geek Tony Stark in the Ironman Franchise, or the three academics in the Big Band theory.
But animation movies are much more than that. They provide a valuable insight into Japanese culture and are often so meticulously designed to be attractive to the audience. Adding to the beautiful art are the storylines, which combine a playful genre in cartoons, with the struggles of both teenage and adult themes. Code geass highlights all these aspects perfectly. With animation movies, they try to explore complex themes and then present them in a fun and simple manner.
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